Raymond George Neher :: essays research papers fc

Because roads, streets, highways, boulevards, and freeways are an everyday pgraphics of our life, they understandably are part of our art. In the foreground or the background, they secure our art to reality, serve as symbols, or twist and turn in ways never dreamed by the imagination. Raymond Neher used roads and highways as his subject in many of his pictures. He began painting for his own benefit, because he Enjoyed putting brush to take apart.Raymond George Neher was born in Orange, New Jersey on September 14, 1943 he was the only if child to Rudolph Neher and Evelyn Posadzki. Neher was awarded his Bachelor of Architecture form the Carnegie Mellon University and his Masters from the Columbia University. He began his career as an architect in New York City. In 1973 he transferred to San Francisco, California, where he worked on the Master Plan for a New Community in Ahwaz, Iran. He was well known and appreciated for his work in historical restorations and adaptational reuse. H is projects included work on art and science museums, hotels and spas, hospital and medical school, as well as construction administration. As an artist his career spanned approximately 40 years. Neher worked mostly in acrylic paint on canvas. His works have been shown in exhibitions all across the United States of America and are in private collections throughout the United States, as well as Amsterdam, Rome and Santorini, Greece. Neher joined the Fort Mason Printmakers in the early 1980s and created etchings and monoprints that often complemented his canvas work. Many of his subjects sprang from his travels around Californias Central Valley Interstate 5 highway. His roadscapes paintings he created were on photo quality. The images he creates, whether it is a highway, a twain or a suburban street, are always free of pollution, road kill and litter. The paintings are full of colour which makes the painting a bit surreal, as if the image is just too good to be true. All his roadsca pes are from the perspective a person in a vehicle on the road, make the viewer feel more engaged with the painting, as if they are actually there. The painting above is called Mount Hood Highway. Neher has used such contrasting colour to layer the painting. His use of straight lines and angles on the road, pine trees and the snow covered mountain in the background brake up the painting causing the painting to be easier to take in by the viewer.

Coleridges Kubla Khan and the Process of Creativity Essay -- Coleridg

Coleridges Kubla Khan and the Process of CreativityColeridges Kubla Khan is an extremely enchanting poem which isbased rough the stately pleasure dome of the emperor, Kubla Khan.Although the poem is set around this pleasure dome, it can be noticedthat the poem had profound depth to it. If one is able to scanthe obscure symbols and meanings within the poem, it becomes clear thatColeridges Kubloa Khan does not simply describe a pleasure dome,it is also a prolonged metaphore for the impact of creativity.From the immediate start of the poem, the subscriber finds themselvessubjected to interprete these hidden symbols. In Xanadu did Kubla KhanA stately pleasure dome decreeWhere Alph, the blessed river ranAlthough this passage seems straight forward, it contains theessential first three symbols of which the wide poem is based upon. Xanadu symbolises the poets mind, as Xanadu like the mind is thesite where all the forecoming events take place. Kubla Khan actuallyexsisted in real life as the mend ruler of an Asian empire and had anextreme amount of power. This is why perhaps, Coleridge chose KublaKhan to represent the poet, ( himself). This would not have been anextraordinary choice for Coleridge to make, as he belonged to a groupof poets called the Romantics who believed that they could see thingsclearer and feel emotions and experiences more intensely than otherpeople. Kubla Khans power over his empire of Xanadu would thereforerepresent the poets power and control over his mind. The sacredriver, Alph symbolises the poets imagination. This symbol isexceptionally significant as the poem follows the path of the flowingriver and therefore enables the read... ...d off byinspiration. The process is amazingly powerful and both mentally andphysically tiring and its results, like the pleasure dome of Xanaduare remarkable. Coleridge uses many clever techniques such asalliteration, methaphores, onamatapeia, comparisons and hidden symbolsto emphasise the impact and inte nsity of the process of creativity.Coleridge also structures his poem to suit the style of his poem. Thefirst stanza, gives an insight in to what it to come and what can beacheived by the process of creativity and acts as a sort ofintroduction for the process. The second stanza is extremely detailedand lively and shows the actual process of creativity. The thirdstanza almost defends Coleridges work and ends the poem with themessage that no-one could ever understand let alone feel theColeridges experiences in the way that he can and does.

History of R. Buckminister Fuller Essay -- Geodesic Domes R. Buckminis

History of R. Buckminister overfull Fuller was most famous for his geodesic domes, which can be seen as part of multitude radar stations, civic buildings, and arrangement attractions. Their construction is based on extending both(prenominal) basic principles to build simple tensegrity structures (tetrahedron, octahedron, and the closest packing of spheres). Built in this stylus they are extremely lightweight and stable. The unpatterned for geodesic domes was awarded in 1954, part of Fullers decades-long efforts to explore natures constructing principles to find design solutions.Previously, Fuller had designed and built prototypes of what he hoped would be a safer, aerodynamic Dymaxion railroad car (Dymaxion is contracted from DYnamic MAXimum tensION). To this end he experimented with a radical new approach. He worked with professional colleagues over a period of three years, ancestry in 1932. Based on a design idea Fuller had derived from that of aircraft, the three prototyp e cars were all quite incompatible from anything on the market. For one thing, separately of these vehicles had three, not four, wheels - with two (the drive wheels) in front, and the third, rear wheel being the one that was steered. The engine was located in the rear. both the chassis and the body were received designs. The aerodynamic, somewhat tear-shaped body (which in one of the prototypes was about 18 feet long), was large enough to seat 11 people. It somehow resembled a melding of a light aircraft (albeit without wings) and a Volkswagen van of 1950s vintage. The car was essentially a mini-bus in each of its three trial incarnations, and its concept long predated the Volkswagen transporter mini-bus that was conceived by Ben Pon in 1947 and eldest built in 1950.Despite its length, and due to its three-wheel design, the Dymaxion Car turned on a small radius and set in a nonsensical space quite easily. The prototypes were efficient in fuel consumption for their day. Fuller poured a great deal of his own funds (inherited from his mother) into the project, in addition to the monetary resource put in by one of his professional collaborators. An industrial investor was also keenly interested in the unprecedented concept. Fuller anticipated the car could conk out on an open highway safely at up to about 100 miles per hour (160 km/h) however, due to some concept oversights, the prototypes proved to be unruly over the speed of 50 mph... ...s friends with Boston artist Pietro Pezzati.He experimented with polyphasic sleep.A new allotrope of carbon (fullerene) and a crabby molecule of that allotrope (buckminsterfullerene or buckyballs) moderate been named after him.On July 12, 2004 the United States Post Office released a new commemorative stamp honoring Buckminster Fuller on the 50th anniversary of his patent for the geodesic dome and on the occasion of his 109th birthday.editNeologismsWorld-around is a term coined by Fuller to replace worldwide. The ge neral belief in a flat human beings died out in the Middle Ages, so using wide is an anachronism when referring to the go on of the Earth a spheroidal surface has area and encloses a volume, only if has no width. Fuller held that unthinking use of obsolete scientific ideas detracts from and misleads intuition. The terms sunsight and sunclipse are other neologisms, according to Allegra Fuller Snyder conjointly coined by the Fuller family, replace sunrise and sunset in order to overturn the geocentric bias of most pre-Copernican celestial mechanics.Fuller also coined the sound out Spaceship Earth, and coined the term (but did not invent) tensegrity. History of R. Buckminister Fuller Essay -- Geodesic Domes R. BuckminisHistory of R. Buckminister Fuller Fuller was most famous for his geodesic domes, which can be seen as part of military radar stations, civic buildings, and exhibition attractions. Their construction is based on extending some basic principles to bui ld simple tensegrity structures (tetrahedron, octahedron, and the closest packing of spheres). Built in this way they are extremely lightweight and stable. The patent for geodesic domes was awarded in 1954, part of Fullers decades-long efforts to explore natures constructing principles to find design solutions.Previously, Fuller had designed and built prototypes of what he hoped would be a safer, aerodynamic Dymaxion Car (Dymaxion is contracted from DYnamic MAXimum tensION). To this end he experimented with a radical new approach. He worked with professional colleagues over a period of three years, beginning in 1932. Based on a design idea Fuller had derived from that of aircraft, the three prototype cars were all quite different from anything on the market. For one thing, each of these vehicles had three, not four, wheels - with two (the drive wheels) in front, and the third, rear wheel being the one that was steered. The engine was located in the rear. Both the chassis and the bod y were original designs. The aerodynamic, somewhat tear-shaped body (which in one of the prototypes was about 18 feet long), was large enough to seat 11 people. It somehow resembled a melding of a light aircraft (albeit without wings) and a Volkswagen van of 1950s vintage. The car was essentially a mini-bus in each of its three trial incarnations, and its concept long predated the Volkswagen Transporter mini-bus that was conceived by Ben Pon in 1947 and first built in 1950.Despite its length, and due to its three-wheel design, the Dymaxion Car turned on a small radius and parked in a tight space quite easily. The prototypes were efficient in fuel consumption for their day. Fuller poured a great deal of his own money (inherited from his mother) into the project, in addition to the funds put in by one of his professional collaborators. An industrial investor was also keenly interested in the unprecedented concept. Fuller anticipated the car could travel on an open highway safely at up to about 100 miles per hour (160 km/h) however, due to some concept oversights, the prototypes proved to be unruly over the speed of 50 mph... ...s friends with Boston artist Pietro Pezzati.He experimented with polyphasic sleep.A new allotrope of carbon (fullerene) and a particular molecule of that allotrope (buckminsterfullerene or buckyballs) have been named after him.On July 12, 2004 the United States Post Office released a new commemorative stamp honoring Buckminster Fuller on the 50th anniversary of his patent for the geodesic dome and on the occasion of his 109th birthday.editNeologismsWorld-around is a term coined by Fuller to replace worldwide. The general belief in a flat Earth died out in the Middle Ages, so using wide is an anachronism when referring to the surface of the Earth a spheroidal surface has area and encloses a volume, but has no width. Fuller held that unthinking use of obsolete scientific ideas detracts from and misleads intuition. The terms sunsight and s unclipse are other neologisms, according to Allegra Fuller Snyder collectively coined by the Fuller family, replacing sunrise and sunset in order to overturn the geocentric bias of most pre-Copernican celestial mechanics.Fuller also coined the phrase Spaceship Earth, and coined the term (but did not invent) tensegrity.

The Debate Over Birds and Feathered Dinosaurs Essay -- Anthropology Es

The Debate Over Birds and Feathered DinosaursBecause dinosaurs are beasts that lived millions of years ago, we are entirely dependent on the fossils that they have left piece of tail for any understanding that we hope to gain. As any paleontologist will tell you, fossil hunting is difficult. There are no certainties, no guarantees. A certain amount of luck is as valuable as any scientific knowledge. Every so often a discovery is made that attempts to handclasp up pre-conceived notions of how the dinosaurs actually lived or how they came to be. On June 22, 2000, in Oregon, scientists announced the discovery of the oldest known animal to have feathers. Though no records indicate how the age of the animal was determined, the fossil was dated at 220 million years old. It lived at the time of the very earliest dinosaurs, and about 75 million years before the premiere known bird.11 The scientists assert that Longisquama insignis is not a dinosaur, and may be one of the e arliest bird ancestors. The animal was a small lizard-sized glider, with four legs and feathers on its body. It is believed that the feathers were use for gliding, as the ancient creature lacks the necessary structures for flying.1 Before the announcement of Longisquama, the earliest known animal with feathers was Archaeopteryx, a bird capable of flight that lived roughly cxlv million years ago.1 It has been proposed that Archaeopteryx is the intermediary between birds and predatory theropods, such as Deinonychus.2 The discovery that Longisquama had feathers strongly questions the evolutionary origins of Archaeopteryx, and additionally may discredit the whimsy that it is the link between birds and dinosaurs. However, th... ...cgi-taf/DynaPage.taf?file=/nature/journal/v408/n6811/full/408428a0_fs.html 5 The Field Museum. (2002). New Species Clarifies Bird-Dinosaur Link. Science Daily online, 14 Feb 2002. Available at http//www.sciencedaily.com/releases/2002/02/ 020214080242.htm 6 Monastersky, R. (1998). Feathered Dinosaurs Found in China. Science News Online online, 27 June 1998. Available at http//www.sciencenews.org/pages/sn_arc98/6_27_98/fob1.htm 7 H, J R. (1995). Are Birds Really Dinosaurs? online Available at http//www.ucmp.berkeley.edu/diapsids/avians.html 8 Rusatte, B. (1997). Controversial Fossil Claimed to Sink Dinosaur-Bird Link. online Available at http//www.geocities.com/CapeCanaveral/Galaxy/8152/longisquama.html 9 Brett-Surman, M K, et al. Top 10 Misconceptions about Dinosaurs. online Available at http//www.nmnh.si.edu/paleo/faq.html

Challenges of Employing Business Ethics and Values Essays -- Integrity

Justify the Values Position in the List. Include any challenges to employing these values consistently when making personal and organizational decisions.IntegrityI have experienced the benefit of having integrity at my workplace. I was given the task of training a difficult spic-and-span employee and report back to management with daily assessments. My manager trusted that I would keep all of our meetings and correspondence confidential. She also expected that I would be honest in my assessments of the employees progress and she relied on me to provide adequate training. Even though we had huge personality differences and different work styles, I treated her like any new trainee. By acting with integrity, I gained the respect and confidence from management which resulted in a promotion. I placed integrity at the top of my enumerate because I believe that acting with integrity is a fundamental value in any ethical decision. To me, integrity means holding myself to a high get up of moral values and standards. I could have treated our new hire badly or unfairly, or talked to my team members about her progress, but that would mean crouch below my beliefs. Acting with integrity isnt easy. It means adhering to a high set of values, even if my friends are doing something wrong. It means looking at a situation objectively and making a conscious decision everyday to hold myself to that higher standard. AccountabilityI have seen accountability play an important role in the work place. My mentor taught me to take responsibility for my mistakes and to not point fingers. One of her accounts had a mistake on their pricing and we over-charged them $50,000. It came down to an oversight that she had made. Instead of pointing fingers ... ...dition, the members of our discussion section rallied together to support her. As a department we raised over $400 to donate to a charity in her brothers name. I have elect compassion as my fifth value because I believe compa ssion develops relationships with people and shows concern for the well being of others. This value is the last on my list because I believe that the other values play a larger part in ethical decisions, although compassion is no less important. Having compassion for others demonstrates an enthronement in the relationship and that decisions arent based entirely on the business aspect, but also on the welfare of others. Compassion can be difficult and exhausting. When a decision influences the lives of many, it can be hard to think about the feelings of those impacted. Without compassion, a decision may be more black and white and easier to make.

Challenges of Employing Business Ethics and Values Essays -- Integrity

Justify the Values Position in the List. Include any challenges to employing these values consistently when making personal and organizational ratiocinations. fairnessI have experienced the benefit of having integrity at my blend inplace. I was given the task of training a difficult new employee and reporting backbone to management with daily assessments. My manager trusted that I would keep all of our meetings and correspondence confidential. She also expected that I would be honest in my assessments of the employees impart and she relied on me to provide adequate training. Even though we had huge personality differences and different work styles, I treated her like any new trainee. By acting with integrity, I gained the respect and confidence from management which resulted in a promotion. I placed integrity at the top of my list because I cerebrate that acting with integrity is a fundamental value in any ethical decision. To me, integrity means holding myself to a high set of object lesson values and standards. I could have treated our new hire badly or unfairly, or talked to my team members about her progress, but that would mean stooping down the stairs my beliefs. Acting with integrity isnt easy. It means adhering to a high set of values, even if my friends are doing something wrong. It means looking at a situation objectively and making a conscious decision everyday to hold myself to that higher standard. AccountabilityI have seen accountability play an important role in the work place. My mentor taught me to take responsibility for my mistakes and to not point fingers. One of her accounts had a mistake on their pricing and we over-charged them $50,000. It came down to an oversight that she had made. Instead of pointing fingers ... ...dition, the members of our department rallied unneurotic to support her. As a department we raised over $400 to donate to a charity in her brothers name. I have chosen benevolence as my fifth value because I believe compassion develops relationships with people and shows concern for the well being of others. This value is the last on my list because I believe that the other values play a larger part in ethical decisions, although compassion is no less important. Having compassion for others demonstrates an investment in the relationship and that decisions arent based entirely on the business aspect, but also on the welfare of others. Compassion can be difficult and exhausting. When a decision influences the lives of many, it can be hard to think about the feelings of those impacted. Without compassion, a decision may be more black and white and easier to make.

Aspects of Creative Work

Aspects of creative work F eitheringwater by blackguard Lloyd W powerful A creative work is a contemplation of creative effort such as artwork, literature, music, paintings, and softw are. Creative works have in common a degree of arbitrariness, such that it is improbable that two spate would independently create the said(prenominal) work. Creative works are part of property rights. A creative work depends on how you look at that fussy art. Every art or craft is not creative for us or for everyone.When we say something is creative we al substances have some reference. If one says a building is creative we always compare it with all principles of design whether it is in harmony or contrast with the surroundings or if it is balanced or the complete building is in unity or not. I have tried to understand aspects of creative work by studying Frank Lloyd Wrights Fallingwater. In 1933, Kaufmanns asked Frank Lloyd Wright to design a new weekend house in Bear Run, a stream which flows at 1298 feet above sea aim and then breaks to fall ab let start 20 feet.Kaufmanns needed a year round weekend house, with all modern conveniences, away from the highway and close set(predicate) to the waterfalls. Instead of designing a house which overlooks waterfalls, Wright designed a house on the waterfalls. Wright says, I think you spate hear the waterfall when you look at the design. 1 When Wright kickoff drew sketch of the house he imagined a house with series of terraces or ledged which would appear to be mere extension to the cliff. These reinforced 1 Wright, in a conversation with Hugh Downs at Taliesin, copyright 1953 by the National Broadcasting Company.Aspects of creative work Theory of conservation Submitted by Manasi Pundlik, encrypt AC-0212 Page 1 concrete cantilevered terraces were anchored to the rock and thus it was placed between the pugnacious outcrop and the stream, parallel to an old wooden bridge. The house was conceived as a life history space proje ct above the falls and into the forest, similar to the ledges of rock along the cliffs, and beneath the stream. 2 Initial sketches of the house 2 Frank Lloyd Wrights Fallingwater, the house and its history, copyright 1993 by Dover Publications, Inc.Aspects of creative work Theory of Conservation Submitted by Manasi Pundlik, Code AC-0212 Page 2 First history propose Second floor Plan Aspects of creative work Theory of Conservation Submitted by Manasi Pundlik, Code AC-0212 Page 3 Third floor plan thither were four boulders on northern side of the stream, Wright placed living mode floor above one of the boulder. Spaces inside the house were framed by v nearly equal bays. West bay defined the kitchen and two bed rooms above. Two middle bays after that formed the central space of the living room.Mrs. Kauffmanns room was on first floor and a long gallery at the third level was provided above the living room in the middle bay. The Fourth bay or east bay defined sky lighted study area, principle access and stairs, art object guest room was built over the eastern bay above the main entry and staircase. The fifth and the last bay encompassed the east living room terrace and the entrance loggia. South Elevation Aspects of creative work Theory of Conservation Submitted by Manasi Pundlik, Code AC-0212 Page 4West Elevation The terrace besides the west living was cantilevered then(prenominal) the line of the west kitchen wall and thus the monotonous and simplistic expression of the bay module was avoided, enhancing the drama of cantilever. On the ground floor a pool kind of space was created this can be accessed by floating staircase. The pool was constructed as per clients wish, it could have been constructed anywhere, but Wright placed it in such a way that as if it is part of the stream. Floating staircase adds to the feeling of one big flowing space from where you cannot separate nature from the building.The cantilevers in the house already appeared everywhere a t Bear Run, not just in the rock ledges, but in the long green leaves of the laurel and rhododendron. 3 Wright said that he proverb them as a profoundly natural principle. With little sense of its latent poetry or expressive potential and with imagination the cantilever could be move into the most romantic and free of all morphologic principles. These cantilevers appear as if they are the driving boards, their one end is anchored to the boulder and other end extends out into space with no vertical support underneath its free end.These series of cantilevers rest on three bolsters and they rise from the edge of the stream as if on tiptoe in support of the cantilevered slab of the first floor. Even if the house has an overriding strong horizontal force expressed through series of terraces it never feels out of place and it never tries to empower itself from the nature. The series of terraces appear as if they are floating on the stream. Even the visible used for construction is jus tified in every sense.Sandstone used gels with the surroundings which was quarried about 500 feet west of the waterfalls and due to the rough shifting manner it appeared as if they are coming out of the rocky outcrop. Wright was inspired from nature and by using glass in windows and walls he created a space which is inseparable from its surroundings. Glass gave different perspectives form inside as well as from outside. In the daytime it becomes very reflective and appears as mirror like surface created by still and clear pond water, while in the night glass appears as if it disappeared.The bold projecting cantilevers are made of reinforced concrete but they echo the rocky landscape. New corporal helped Wright to build large floating terraces. Even the colours which were used like the pale ochre colour given to the beams matched with the back of a fallen rhododendron leaf. 3 Frank Lloyd Wrights Fallingwater, the house and its history, copyright 1993 by Dover Publications, Inc. Aspe cts of creative work Theory of Conservation Submitted by Manasi Pundlik, Code AC-0212 Page 5When Wright visited the site for first time every aspect of the building to be constructed was clear to him. He imagined and designed the house then and there itself in his mind. Every little incident in the house adds to the exquisite designing. The whole persuasion to live around the stream and not just look at it from a distance is fascinating. Mr. Kauffman love the stream but no one ever thought of building a house there. Wright very modestly says that by way of concentrated thought, the idea is likely to spring into life all at once and be completed eventually with the unity of a living organism. 4 Thus when I studied the architectural and structural aspects of Fallingwater I realized how the architect was inspired from the setting and how he imagined the building in first site visit and he never deviated from that imagination. His principle of organic architecture can be seen in ever y aspect of the building from choosing the site, designing flowing spaces which follow function too, to choosing right materials to express it. Use of natural material like sandstone so that the building becomes part of the landscape, and use of modern material like reinforced concrete for structural stability and strong and bold form of terrace.Entrance to the site was so thoughtful that while crossing the wooden bridge and approaching the entrance of the house you gravel a feeling of uphill journey into a private territory, even though the entrance was at an elevation only six inches higher than the bridge roadway. By sense all these aspects one can realize the cultural conditional relation of the building. After industrial evolution and emergence of modern architecture, concepts of cultural import are changed. It doesnt mean that we dont respect our cultural heritage, but it forces us to understand consequence in different erspective. These examples we study in Indigenous tr aditional architecture and that we study in modern architecture have very different significance. Modern architecture like Fallingwater has cultural significance because it shows us how lifestyle of India as well as whole world has changed over time. How architecture changed over time. How our culture and architecture evolved due to British regularisation and also due to exchange of ideas and culture. When we are studying about conservation all these aspects are very important to understand a building. Wright, in the architectural Forum, 94 (Jan. 1951), p. 93 Aspects of creative work Theory of Conservation Submitted by Manasi Pundlik, Code AC-0212 Page 6 Replica and memory Frank Lloyd Wrights Fallingwater Frank Lloyd Wright was an American architect, born in Richland Center, Wisconsin. His mother, Anna Lloyd Wright had a great influence in shaping of his life.. Things which he learned on his uncles farm helped him to relate to nature. The architectural style which he developed has a strong belongingness to nature.In initial practice Wright worked with Louis Sullivan and his principle of Form follows function is also seen in Wrights work. Inspired from principles of Sullivan he created his own style inspired from nature i. e. Organic Architecture, an American style in architecture that even influenced the best European builders of the 20th century. For Wright, organic architecture should incorporate Designs based on nature Natural building materials and, Architectural plans that integrate buildings with natureA classic example of organic architecture, Fallingwater, created in 1936, at Bear Run, Pennsylvania, showcases Wrights skills and his command on his imagination. The client Mr. Kauffman wanted to build a weekend country house near Bear Run stream where he and his family can enjoy the fall. When Wright visited the site he had something different in mind. He knew that the Kauffmanns loved the stream, so instead of designing a house which overlooks the st ream he designed a house where you can live in the stream and enjoy every bit of it.The whole structure is built such that it never tries to empower itself from nature. It sits quietly on the rocks as if it belongs there. This dynamic building is suspended over a fall, which pours down from underneath one of Wrights bold projecting terraces. The building seems to grow out of the landscape. Flowing spaces, extended terraces besides the living and dining rooms brought nature into the house. Even though a modern material like reinforced concrete was used for constructing terraces it merged with the surroundings as if they were part of the rocky site.Glass used for walls and windows, pale ochre coloured sandstone used all added belongingness. Sandstone used for construction was queried from nearby site Fallingwater is both integrated into the landscape and designed to echo the shapes of the landscape where it is nestled. Wright allows a boulder from the site to penetrate the floor of th e house, so that the natural rock foundation in truth merges with the interior of the house. This boulder forms the living room fireplace. With this design element, Wright blends rock, fire and water.Aspects of creative work Theory of Conservation Submitted by Manasi Pundlik, Code AC-0212 Page 7 Wright embeds his building supports into solid rock and even manages to build around nature, totally integrating his structure into the natural landscape. For instance, Wright actually built around a tree, incorporating the tree into the design of his building. The extreme union of human habitat and natural world is visible in the stairs that are suspended directly over the falls. These stairs go nowhere they simply allow people to experience the falls and be in direct while away with nature.Glass windows in the living room , extended beams on the second floor which act as trellis beams for first floor and all such minor details emerge from Wrights ingestion of bringing nature into the bu ilding, so that the building is part of nature and the people living inside should also feel the resembling way. That is what organic architecture is. Replica Dictionary Meaning an exact copy or model of something Memory the faculty by which the mind stores and remembers information, a soulfulness or thing remembered, the length of time over which one can remember things. Every artist tries to interpret nature in its own way. rough get inspired from some form of flower or any form which exists in nature, some understand nature and try to relate their understanding of nature by reinterpreting it. Some try to interpret on paper, some by composing music, some by building, but basic concept is same to understand nature. In terms of architecture, Frank Lloyd Wright felt the need of relating his structures with the nature. He tried to interpret nature by evolving his architectural style which was close to nature.Replica federal agency a model which is inspired from something which b elongs to nature and had gone through a process of evolution. It can never be exactly same as the inspiration but the essence remains. When a model lacks spirit, essence and inspiration it is merely a copy. Replica cannot be studied in isolation of its context. Context, cultural significance is very important to understand from where the artist got its inspiration. 5 Ed. Catherine Soanes, Oxford dictionary thesaurus, Oxford university press, New York (2005) Aspects of creative work Theory of Conservation Submitted by Manasi Pundlik, Code AC-0212 Page 8

Stefan’s Diaries: The Craving Chapter 7

Every muscle in my body tensed. Time line upmed to stop as we stared into each others look, both of us silently challenging the other to give himself away. My chest felt tight as anger coiled through my body.The last time Id seen Damon, hed been standing anyplace me with a stake, just after hed killed Callie. His cheeks had been insolateken, his body gaunt from his time in captivity. Now he looked standardized his human self, the young man who charmed everyone from barmaids to grandmothers. Clean-shaven, refined smartly, and playing the part of an Italian count flawlessly. Acting human. He had everyone in the room fooled.Damon raised one eyebrow at me and the twitch of a make a face appeared at the corner of his mouth. To any onlooker, it would have seemed just like he was pleased to meet a new acquaintance.I knew better. Damon was enjoying his charade and waiting to see how I reacted.Stefan Salvatore, may I introduce Count Damon DeSangue, Lydia said.Damon gave a perfect bow, just barely bending at the waist.DeSangue . . . I repeated.Count DeSangue, Damon corrected in good humor, affecting an Italian accent. He smiled, revealing a straight set of gleaming white teeth.No, not here(predicate), I thought furiously. Not here in New York, not here among these innocent, well-meaning Sutherlands. Had Damon followed me here, or had he arrived first? He had been here dour enough to attach himself to poor Lydia. And long enough to trick all of New York society. Is it possible that, in this teeming city, we both managed to become involved with the Sutherland family completely by coincidence?Damon was regarding me now, although the icy winkle of sardonic humor was never far from his eyes, as if he guessed at what I was thinking.Stefan, Damon I just know you two are going to be like brothers, Bridget gushed to me.Well then, Damon said, a smirk pulling the corner of his mouth. Hello, brother And where are you from, Stefan?Virginia, I answered shortly.Oh really? B ecause I was recently in New siege of Orleans and could have sworn I met a gentleman who looked just like you. Have you been in that location?Lydia leaned in closer, her eyes bright with pride. Bridget nodded eagerly at every word Damon said. Even Bram and Hilda looked entranced. I gripped my champagne glass so tightly I was surprised it didnt shatter. No. I cant say Ive ever been.The happy clink of silverware from the refreshment table suddenly rose to the foreground. Hundreds of people, hundreds of blades, and one very angry, unpredictable brother before me.Interesting, he said. Well, perhaps we will go back there, together. I hear they have a magnificent circus.The orchestra began to play again, another fast-paced terpsichore. But that was noise in the background. The ball and its participants faded away. Right now, Damon and I had our eyes locked on each other.If you even try something, I said low enough that only he could hear, squaring my shoulders and unconsciously tensing for a fight.Dont think you can outstrip me, Damon said, rolling to the balls of his feet.The group of people we were with looked back and forth at us, clearly aware that something was going on, but unsure what exactly.Im feeling a bit thirsty, I finally said aloud, not moving my eyes from his, trying to think of how to get Damon away from my new friends. Care to join me for a drink?Smashing, Id go to bed one, said Bram eagerly, hoping to break the tension.Love to, Damon said, mocking Brams tone. But duty and the mazurka calls. He off-key to Hilda and bowed. May I?Oh, Id love to, but Bram . . . She started to hold up the dance card that hung around her wrist from a pink ribbon. Then her eyes widened, dilating, and she was staring but no longer at the card. I looked at Damon. He was also staring, compelling her. Showing off, in front of everyone in front of me just how powerful he was.He was sending me a message.Oh, he wont mind, Hilda persistent and took Damons arm. He led h er off, smiling back at me. The tips of his fangs glittered.I wish I had his charm, Bram said a little wistfully. Hes got all you ladies wrapped around his finger.Lydia blushed prettily. She did not look after Hilda with a worried expression. She had the calm confidence of someone who knew exactly where her lover stood in his relation to her. Damon had no doubt compelled her to act as such. He had amassed a considerable amount of Power, very quickly.Where exactly did you two meet? I asked, trying to sound casual.Oh, it was so romanticistic, Bridget answered quickly. Almost as romantic as you finding me, helpless, in the park. . . .Let your sister speak, Bridgey, Bram interrupted.Lydia smiled, all of her studied politeness and mannered behavior melting away. It really was a bit like a fairy tale. It was raining, a sudden downpour. I remember very particularly that the sun had been shining just moments earlier. Unprepared for the change of weather, Mother and I became soaked. My new hat was ruined, and all my packages were dripping wet. I swear a dozen carriages must have passed us by without stopping. And then one of them paused, and the doorsill opened, and there he was, extending his hand to me.Her eyes grew soft. He offered to give up his seat, but we got in with him. . . .Bram made tsk-tsking noises Lydia smiled, shrugging prettily.I know, I know . . . taking a ride with a strange man. Very bad of us. But he was so polite, and charming . . . and we had such a lovely ride . . . and then the sun came out and we hardly noticed. . . .My mind raced. Had Damon compelled every carriage driver in Manhattan to avoid Lydia and her mother? Was it even possible to compel that many people at once? And what about the rain? Had that been luck . . . or something else entirely? Damon wasnt capable of compelling the weather. If that were a power available to vampires, I would have heard of it from Lexi or even Katherine. Right?I studied Lydia. She wore a simple, narrow ri bbon around her neck with a single pearl dangling from the front. The skin there was smooth, unblemished and unbitten. If Damon wasnt feeding on Lydia, then what did he want from her?Someone said something about being thirsty . . . ? Bram said hopefully, rubbing his hands together. I have a terrible desire for more champagne.Yes, thirst is a terrible thing, I said, but youll have to excuse me. Then I turned and cut my way through the merrily dancing crowd, determined to search out my brother before he had the chance to slit anyones throat.

Lord of the Flies Text Response Essay

In Lord of the Flies, William Golding presents a harsh yet realistic view of the individual, namely that within each individual there is a struggle between right and wrong. Initially the boys listen to their consciences and act according to the rules they were taught during their upbringing. They set rules, allocate jobs, and democratically elect a drawing card just like in todays society. As time goes by, boys such as the elected leader Ralph, the rational Piggy and the kind Simon restrain to remain disciplined, but others indulge and let their morals decay little by little, particularly the proud Jack and his group of hunters who are ambitious and plainly thrive from mutilated power. In todays disciplined and efficient society, there are laws that we all have to abide by. When Ralph blew the delicate, white conch everyone followed and listened.The conch represented power, array and law and with that in his hand, Ralph was elected leader. Ralph with the help of Piggy and his gla sses which signified knowledge and insight were able to govern the island and the small group of troubled individuals for a short while. They kept the fire going, built shelters, hunted for food and collected water, the basic requirements needed for humans to survive. They built an efficient monarchy that was sustainable but whole by the collected help of everyone on the island could they keep this sustainable way of life going. We all fight for something we really want, whether we are fighting for the title to be the school leader, or to be the president of the United States.In the novel Lord of the Flies, Jack was a follower, Ralph was elected leader and he was compliant with that decision. He was ambitious and selfish, all he wanted was power for himself and if he couldnt achieve that, he was willing to take it by force. He had himself war mixed and that revealed his true inner self, a savage. Once a person has given up hope of getting something morally, he turns to other appro aches. After Piggys glasses were broken, all knowledge and insight was lost and hell broke loose.In Lord of the Flies William Golding conducts a sociological thought experiment. He takes a group of young boys and places them on a deserted island and asks what will the result be, a utopia or a dystopia? His answer is the latter. His reason is man himself. Ralph wept for the end of innocence, the dimness of mans heart, and the fall through the air of the true, wise friend called Piggy Innocence is not stripped, it is surrendered, Lord of the flies is an allegory for society at large.

Evaluation of Soil Management Strategies in Two Named Farming Systems Essay

Evaluation of the crack management strategies in the India The more time goes past, the more man starts realising how the management and the way we flagellum body politics is important to insure its preservation and conservation. Nowadays, close to 9. 4 million hect bes of primer, which represent the 0. 5% of the land present on our planet, is irreparably damaged and has no nightlong any biological function. In other words, it can no longer be engrossd in any useful way to provide pabulum or other elements to the earths tenants.There are though, two factors that influence soil degradation the human factor and the natural single. The most impactful one is the human one, as we tend to create disequilibrium in the rate at which soil forms and at which it is eroded or degraded. This is due to the fact that farmers impart the soil too frequently or misunderstand and mismanage their lands. On the other hand, erosion and degradation, which embody the natural factors, are part of natures roulette wheel and over time, they do non create imbalances.In poorer countries, farmers use subsistence farming and they are in a way constricted to do so, as they not only lack of economical resources to buy machinery and conditioners, but also because the quality of the soil often doesnt give them the opportunity to be able to work the land more intensively. In the regions of West Bengal located in the northwest of India to take an example, the density of the population is so high that farmers only can use their little land holding to produce enough in order to feed themselves and their families.This way of managing the soil is called subsistence farming and is also utilise in the accurate southeast of India, where the soil is so degraded that the population has no other choice but to use this agricultural strategy named sedentary farming. It involves farming eer at the same place, living there and getting crops relying uniquely on labour and not on any capital inves tments. In India we can let a very large division, varying from economical to socio-political, and even agricultural.Up in the Northwest of India, within the hills of Jaipur in Rajasthan, intensive commercial farmers are rife as the country represents the fourth biggest agricultural power of the world. The practices and components involved in intensive farming are harmful to the soil because farmers take advantage of the resources that are available and often abuse their terrain in such way that it harms it, leading to an increase of the rate at which the land is deteriorated. just now not all methods are harmful to Nature the method used in the forests of north India by the poorer citizens has a much better environmental impact than the industrial one used by richer farmers. As equally common, this method is called shifting farming which consists in burning a piece of land so that the ashes fertilise the soil. Then the famer grows its crops for around 2 to 5 years, until the soil s fertility starts to decrease so he moves to another place repeating the same process.After a determine more or less long 10 years, the farmer can go back to the first place as the terrain supposedly had time to recover its fertility and he can so for cultivate his crops again. In fact, the material and gears used, plus the methods are much different one from another. Within the subsistence one, natural fertilizers lead be more likely to be used while on the intensive one, chemicals and heavy machinery often take the lead. These different strategies used to manage the soil comprise advantages and disadvantages, to both the farmers and the land.The sustainable farming strategy is on the short term less beneficial to the farmer as it will limit his production. But this technique wont make any harm to the soil because the method used is less intensive, and natural fertilisers such as animal rejections and extreme wastes replace chemicals and fertilizers used in the intensive metho d. But as stated above, India is the fourth largest agricultural force on this planet and thats when the management of the soil starts becoming problematic in accordance to its sustainability and the preservation of its quality.The choice of a farmer to opt for a specific technique rather than another relies on the income on a short period of time. Even though in India this choice mainly depends on the financial resources available, the farmers using subsistence farming will be able to use their land for a much longer period of time than those who use intensive farming. Its also in the farmers benefit to use its field in a sustainable way for environmental ssues as well as for its personal profit as on the longer term, a farmer who farms on its land in a sustainable way will be able to get an equal make out of crops over a larger period of time. To conclude, if we keep abusing the soil as they still do in certain parts of the world, by 2050 we will gravely lack of available health y soil to satisfy our needs as a result of the populations growth rate. And even though the governments and citizens didnt realise that before severe issues and frightening statistical data came out from the topic.We know how to stay fresh soil erosion from natural factors by simply lay grass or other clumping vegetation building shelter belts and hedgerows are other examples. We can also improve the methods of cultivation, using the techniques of terracing and contour ploughing. But to prevent the abusing human activity like deforestation, I believe that the only answer is the willing and devotion of individuals of using proper pesticides and fertilizers.

Japan’s Economic Malaise Essay

An affluent frugality has the dynamics to identify their financial capability and prosperity by the principles they practice and execute. However, when a country wrenchs everywherely confident on their abilities to remain consistent as a global power they become vulnerable to complacency. A nations economic wealth becomes susceptible when they no longer recognize the potential risks that may lead their country to each a recession or total collapse of their economy. lacquers economic malaise clearly articulates how the countrys failure to recognize the strategies they clothe for their nation would lead to one of the biggest economic catastrophes in the world.Japanese Economy StagnatedBeginning in the early 1980s up to 1989, Japans economy had grew at a record pace. The Nikkei stock trade was up over 600 percent and place prices reached levels never seen before. Society was recognizing a wealthy standard of live that boasted the worlds second largest economy. By early 1989, J apan would experience an improbable market crash that would eventually devastate their hope for continued success. In addition, property prices began to drop significantly in response to the stock markets immediate downfall. The simultaneous reaction of Japans stock market and property prices led to deflationary issues throughout the country. Deflation occurs when there is a continuous fall in prices. The fall in prices become the beginning of a great issue.Consumers and businesses begin losing confidence in the economy by trying to minimize the amount of cash they spend and begin saving more to survive. Optimism levels drop dramatically causing a pattern of ambiguity on whether their country has the ability to recover. go Japan was beginning to endure their setbacks, banks began to eliminate lending as property prices began a downward spiral. Debt rose to extreme levels and many businesses started to notice their financials were diminishing causing them to tighten their expenses, decrease their staffs, wages, and salaries. The resulting factors led Japan into one of the deepest recessions of their history. For the last 20 eld, Japans stagnate economy continues to sequence through a deflationary cycle.Lessons and the Deflationary SpiralAlthough there have been modest improvements, Japan recognizes the challenges that equivocation ahead in order to restore the economy they once had. Some of the lessons that other nations can learn from Japans last 20 years are to incorporate a dodge and vision for their country. In addition, they essential be cognizant of how deflation can vividly affect a countrys wealth and how a deflationary cycle can disturb its chances to prosper. While it is important to understand some of the lessons that other nations can learn from Japan, it is vitally ingrained for countries to know how to avoid a deflationary spiral. One of the ways a country can avoid a deflationary spiral is to embrace a continuous strive for economic develop ment through education and job growth. As of June 2012, Japans unemployment rate stood at 4.6% compared to 2.0% in 1989. Job mental hospital and education promote opportunities that have the potential to turnaround a deflationary spiral.Japans Economy to ProsperityLastly, by recognizing how Japan continues to have difficulties with deflation their struggles fissure some opportunities that they can utilize to enhance their economys wealth. According to Hill (2013), Japan could reverse this trend by increasing immigration or boosting the birthrate, but neither of these seem likely at the moment (Hill, 2013, p.96). Although Hill has reservations on whether immigration or boosting the birthdate may not be likely overdue to a cynical population, Japan must evaluate all of their options in order to persevere. In addition to the potential of increasing immigration and boosting the birthrate, Japan should alike consider raising their sales tax.If Japan raises their sales tax of 5% in in crements of 1.0% each year over the next five years, they will be able to offset some of their discretionary costs such as welfare and other governmental benefits to help ease some of the deflation they are enduring. While there may be many options to get Japans economy moving again one of the most advantageous methods is to evaluate how they mow into a deflationary spiral. Japan must acknowledge and learn from their inaccuracies by developing productive procedures that incorporate inflexible checks and balances in order to recognize their faults and break an economical plan that will restore hope and optimism with in the Japanese population.ConclusionJapans economy has gone through significant challenges over the last two decades. By recognizing how Japan continues to have a stagnated economy, the lessons learned to prevent other countries to fall victim, how to avoid the deflationary spiral, and how to reinvigorate Japans economy, leaders can gather great insight on how to manag e their own economies. In the international world of business transactions and economic trends, countries must exercise good intentions for their nation and maximize sound judgment in a way that promotes confidence and assurance that they are making the right decisions. Japans economic malaise over the last 20 years proves the importance and severity of what can happen if a country lacks the vision and strategy to succeed.ReferencesFingleton, E. (2012, January 6). The Myth of Japans Failure. NY Times.Retrieved from http//www.nytimes.comHill, C. (2013). International Business, Competing in the Global Marketplace (9th ed.).McGraw-Hill Irwin.Shilling, G. (2012, June 4). Japans Debt Sustains a Deflationary Depression.Bloomberg News. Retrieved from http//www.bloomberg.com